2016

• Forthcoming: “Augmented Realities: Digital Art in the Public Sphere,” A Companion to Public Art, edited by Cheryl Knight and Harriet Senie, Blackwell Companions to Art History, Blackwell-Wiley
• Forthcoming: “Life Encoded – The Communication Art of Eduardo Kac,” catalogue essay for the exhibition Eduardo Kac: Lagoglyphs, Biotopes, and Transgenic Works (Oi Futuro: Rio de Janeiro, Brazil)

2015

• Christiane Paul and Malcolm Levy, “Genealogies of the New Aesthetic” in Postdigital Aesthetics: Art, Computation and Design edited by David Berry and Michael Dieter, Palgrave
• “Surface Proxy: Reskinned Relics and Architectures of Mediation,” essay for the catalogue accompanying the exhibition Surface Proxy – Clement Valla at XPO Gallery, Paris, April 16 – May 30, 2015
• “Mediations of Light: Screens as Information Surfaces” in Digital Light, edited by Sean Cubitt, Open Humanities Press
• “Archiving Context: Preservation Strategies for Digital Art” in Possible Futures – art, museums and digital archives, edited by Giselle Beiguelman and Ana Gonçalves Magalhães, University of Sao Paulo / Itau Cultural / Editor Peiropolis

2014

• Text on Casey Reas‘, “A Mathematical Theory of Communication,” Commission for the Landmarks Collection, University of Texas at Austin
• Questionnaire on Post-Internet Art in Karen Archey and Robin Peckham (ed.), Art Post-Internet: INFORMATION / DATA, PDF catalogue accompanying the exhibition “Art Post-Internet”
• Entry on “Curating New Media” in Michael Kelly (ed.), Encyclopedia of Aesthetics 2nd ed. (Oxford University Press: 2014)
• Christiane Paul and Jack Toolin, “Impulses – Tools” in Kathy High, Sherry Hocking, Mona Jimenez (eds.) Tools: Analogs and Intersections: Video and Media Art Histories (Intellect Press, UK / University of Chicago Press)
• Entry on “Database“ in Benjamin Robertson, Marie-Laure Ryan, Lori Emerson (ed.), The Johns Hopkins Encyclopedia of Digital Textuality (The Johns Hopkins Press, 2013)

2013

• “The Canon after the Internet,” a conversation with Katrina Sluis, Christiane Paul, Julian Stallabrass in Aperture 213 (Winter 2013)
• “Objecthoods from the Desktop,” catalogue essay for the exhibition Out of Hand – Materializing the Postdigital at Museum of Art and Design, NY (Blackdog Publishing, London, UK, 2013)
• Contribution to Future Fictions in Frieze No. 156 (June – July – August, 2013)
• “The Prophet’s Prosthesis,” a conversation with Krysztof Wodiczko (reprint from 1999) in Glenn Harper and Twylene Moyer (eds.),  Artists Reclaim the Commons – New Works / New Territories / New Publics (isc Press, Hamilton, NJ, 2013)

2012

• “Contexts as Moving Targets—Locative Media Art and the Shifting Ground of Context Awareness” in Throughout, ed. Ulrik Ekmann (MIT Press: Boston, MA)
• “Expanding Cinema: The Moving Image in Digital Art” in A Trip to the Moon (Albert Bonniers Forlag / CPI Books: Leck Germany, 2012), Conference Proceedings / Companion to Before and After Film, International Symposium organized by Moderna Museet and Bonniers Kunsthall, Stockholm

2011

• “Sztuka cyfrowa / sztuka publiczna: spoecznoci sieciowe” in Rita Baum 18 – Transhuman
• “Organism, Process, System,” essay for the catalogue of the Borusan Art Collection (Borusan Holding: Istanbul, Turkey)
  
• “The Myth of Immateriality — Presenting New Media Art” (Chinese transl.) in Contemporary Art & Investment, Issue 57 (Bejing)
  
• “New Media in the Mainstream” in artnodes, e-journal on Art, Science, and Technology No. 11, Open University of Catalunia, Spain
  
• “Measuring Disturbances: How Media Look at the World” in Artpulse Vol. 3 No. 1
  
• Art Critics Reading List in Artpulse Vol. 2 No. 3