• Forthcoming: “Augmented Realities: Digital Art in the Public Sphere,” A Companion to Public Art, edited by Cheryl Knight and Harriet Senie, Blackwell Companions to Art History, Blackwell-Wiley
  • Forthcoming: “Life Encoded – The Communication Art of Eduardo Kac,” catalogue essay for the exhibition Eduardo Kac: Lagoglyphs, Biotopes, and Transgenic Works (Oi Futuro: Rio de Janeiro, Brazil)


  • Christiane Paul and Malcolm Levy, “Genealogies of the New Aesthetic” in Postdigital Aesthetics: Art, Computation and Design edited by David Berry and Michael Dieter, Palgrave
  • “Surface Proxy: Reskinned Relics and Architectures of Mediation,” essay for the catalogue accompanying the exhibition Surface Proxy – Clement Valla at XPO Gallery, Paris, April 16 – May 30, 2015
  • “Mediations of Light: Screens as Information Surfaces” in Digital Light, edited by Sean Cubitt, Open Humanities Press
  • “Archiving Context: Preservation Strategies for Digital Art” in Possible Futures – art, museums and digital archives, edited by Giselle Beiguelman and Ana Gonçalves Magalhães, University of Sao Paulo / Itau Cultural / Editor Peiropolis


  • Text on Casey Reas‘, “A Mathematical Theory of Communication,” Commission for the Landmarks Collection, University of Texas at Austin
  • Questionnaire on Post-Internet Art in Karen Archey and Robin Peckham (ed.), Art Post-Internet: INFORMATION / DATA, PDF catalogue accompanying the exhibition “Art Post-Internet”
  • Entry on “Curating New Media” in Michael Kelly (ed.), Encyclopedia of Aesthetics 2nd ed. (Oxford University Press: 2014)
  • Christiane Paul and Jack Toolin, “Impulses – Tools” in Kathy High, Sherry Hocking, Mona Jimenez (eds.) Tools: Analogs and Intersections: Video and Media Art Histories (Intellect Press, UK / University of Chicago Press)
  • Entry on Database in Benjamin Robertson, Marie-Laure Ryan, Lori Emerson (ed.), The Johns Hopkins Encyclopedia of Digital Textuality (The Johns Hopkins Press, 2013)


  • “The Canon after the Internet,” a conversation with Katrina Sluis, Christiane Paul, Julian Stallabrass in Aperture 213 (Winter 2013)
  • Objecthoods from the Desktop,” catalogue essay for the exhibition Out of Hand – Materializing the Postdigital at Museum of Art and Design, NY (Blackdog Publishing, London, UK, 2013)
  • Contribution to Future Fictions in Frieze No. 156 (June – July – August, 2013)
  • “The Prophet’s Prosthesis,” a conversation with Krysztof Wodiczko (reprint from 1999) in Glenn Harper and Twylene Moyer (eds.),  Artists Reclaim the Commons – New Works / New Territories / New Publics (isc Press, Hamilton, NJ, 2013)


  • “Contexts as Moving Targets—Locative Media Art and the Shifting Ground of Context Awareness” in Throughout, ed. Ulrik Ekmann (MIT Press: Boston, MA)
  • “Expanding Cinema: The Moving Image in Digital Art” in A Trip to the Moon (Albert Bonniers Forlag / CPI Books: Leck Germany, 2012), Conference Proceedings / Companion to Before and After Film, International Symposium organized by Moderna Museet and Bonniers Kunsthall, Stockholm



  • “O Mito Da Imaterialidade: Apresentar E Preservar Novas Midias” in Diana Domingues (ed), Arte, Ciencia e Tecnologia – Passado, Presente e Desafios (Editora UNESP: Sao Paulo, Brazil)
  • Time Capsule (Capsula del Tiempo): Obra para un Sitio Especifico Por Eduardo Kac in Eduardo Kac el creador de seres imposibles (Editorial Universidad de Caldas, Manizales, Colombia)
  • “Context and Archive: Presenting and Preserving Net-based Art” in Netpioneers 1.0 – Contextualizing Early Net-Based Art (Sternberg Press: Berlin, New York)
  • Sustainable Art Practices,” Editorial, Artpulse magazine Vol. 1 No. 4
  • “Information Arts – Adventures in the Creative Use of Information as Medium,” co-authored with Jack Toolin, in Encyclopedia of Library and Information Sciences, eds. Marcia J. Bates and Mary Niles Maack, Taylor and Francis Group, NY


  •  “Angles and Intersections,” catalogue essay for the Biennale Quadrilaterale (Museum of Modern Art: Rijeka, Croatia)
  • “Measuring Disturbances: How Media Look at the World,” catalogue essay for the exhibition Feedforward – The Angel of History (LABoral Art Center: Gijon, Asturia, Spain)
  • “Between Visions – Inter_Face, Inter_Space, Inter_Time,” catalogue essay, Incheon International Digital Art Festival, Incheon, Korea
  • “Expanding Cinema: The Moving Image in Digital Art” in Stuart Comer (ed.), Film and Video Art (Tate Publishing: London, UK)
  • “Contextos flexibles, filtración democrática y curaduría asistada por computadora- Modelos para la practica de la curaduría enlínea” in: Prácticas Curatoriales para las Artes Tecnológicas Calibrando / Diseñando Contextos, Seminario Internacional (Telefonica: Buenos Aires)



  • “Time Capsule [Capsula del Tiempo]: Una obra para un sitio especifico por Eduardo Kac,” Eduardo Kac, El creador de seres imposibles, Organizaci—y traducci— Andres Burbano (UOC/A Minima: Barcelona, 2007)
  • “Networked Collectibles,” introduction to the exhibition catalogue NETworking, Computer Fine Arts Collection, Haifa Museum of Art, November 2007
  • “The Database as System and Cultural Form: Anatomies of Cultural Narratives” in Victoria Vesna (ed.), Database Aesthetics (University of Minnesota Press: Minneapolis, MN, 2007)